22 MARCH 2021
We're delighted to anounce a forthcoming series of online discussions, organised by the University of Newcastle's Medieval & Early Modern Studies Research Group in conjunction with the Stationers' Company Archive.
16 MARCH 2021
Lockdown has presented archivists with unforeseen problems: restricted access to physical collections and closed reading-rooms have required us to find new ways of maintaining contact with our research communities. But it's also been a chance to reach out virtually to people who might not previously have considered visiting an archive. And it's been heartening to see that, despite the uncertainty and anxiety of our current situation, public interest in our collections has not diminished. Online enquiries have increased over the last year. Among our new researchers are people who decided to use lockdown to tackle that perennial bugbear of household chores, clearing out the attic. In the process, they stopped to wonder about the history behind hoarded personal effects - and found that, even if they themselves weren't Stationers, their enquiries led them to our Archive. One such is Michael Windet, who shares with us here the story of his personal voyage into the past.
2 MARCH 2021
This Day in the Archive: 2 March
The 2nd of March, 1545, is the date of birth of Sir Thomas Bodley. An erudite scholar and accomplished diplomat, he is perhaps most widely remembered today as the founder of Oxford's Bodleian Library.
Leading image: Detail from 'Philanthropists: twenty portraits of public benefactors'. Engraving by J.W. Cook, 1825.. Credit: Wellcome Collection. Attribution 4.0 International (CC BY 4.0)
21 FEBRUARY 2021
This Day in the Archive: 21 February
February 21st marks the death, in 1813, of Henry Baldwin, founder of a family dynasty of newspaper proprietors. Baldwin was apprenticed to Stationer Edward Say in 1749, and in 1756 was called to the Livery on the day he attained his Freedom of the Company by servitude. Not long afterwards, in March 1761, Baldwin published the first issue of the St James's Chronicle, a triweekly evening paper which remained in print until the end of the nineteenth century.
11 FEBRUARY 2021
This year, the Stationers' Company will unite online for a streamed Shrove Tuesday Service, followed by Cakes and Ale via Zoom. Coming together at the start of Lent has been a Stationers' tradition since the early seventeenth century. In 1612, John Norton, bookseller and erstwhile Master of the Company, bequeathed money for 'one sermon be preached in [the Parish Church of St Faith’s under St Paul’s] upon Ash Wednesday yearly for ever', with funds set aside for 'Cakes Wine and Ale after or before the Sermon upon Ash Wednesday.' Although the virtual nature of 2021's ceremony is unprecedented, this is not the first time that the ritual has been modified by historical events.
4 FEBRUARY 2021
The subject of Thomas Kyd's The Spanish Tragedy came up in conversation recently, and I remembered the impression that play made on me when I first came across it: not only did it establish the genre of the revenge tragedy in Elizabethan theatre (Revenge is, quite literally, one of its characters), but it boasts one of the best subtitles ever, being known in full as The Spanish Tragedy, or Hieronimo is Mad Again. I decided to reacquaint myself with the history of this strange and seminal drama, and to investigate its registration at Stationers' Hall.
1 FEBRUARY 2021
This Day in the Archive: 1 February
On the 1st of February 1560, the Lord Mayor of London issued a precept that ‘it was this day ordered and agreed at the earnest suit and prayer of John Cawood and diverse other said persons, being free men of this City in the fellowship of the Stationers, that the same fellowship from henceforth shall be permitted and suffered to have, use and wear a livery and livery hoods in such decent and comely wise and colour as the other Companies and followships of this City after their degrees do comely use and wear.’
Leading image: Stationers' Company Procession to St Paul's, Ash Wednesday 1968, Stationers' Company Archive
25 JANUARY 2021
This Day in the Archive: 25 January
On the 25th January 1937, the reigning monarch George the Sixth officially decreed 'that the Mistery or Art of a Stationer of the City of London shall hereafter be called the Mistery or Art of a Stationer and Newspaper Maker of the City of London'. The name-change, and the amalgamation it celebrated, marked a significant milestone in the life of a Livery Company always committed to embracing the modernisation of its trades.
22 JANUARY 2021
This Day in the Archive: 22 January
With so many changes happening around us, from fluctuating infection rates to alterations in our centuries-old Hall, it can help to find a wider sense of continuity with the past. The Stationers' Company is extremely lucky to have an extensive Archive dating back to the granting of its Charter, with relatively few breaks in its records. Over the next few months, I'll be making occasional forays into the Archive to highlight records of events in the Company's history that happened 'on this day'.
We start with a significant entry in the Stationers' Register for the 22nd of January, 1607:
'Master Linge - Entered for his copies by direccon of A Court and with consent of Master Burby under his handwrytinge these iii copies, viz Romeo and Juliett, Loves Labour Loste, The taming of A Shrew'
25 NOVEMBER 2020
Richard Gilpin has written a detailed piece on the Stationers’ Company and its Almanacks which was abridged for Stationers' News but the whole article including images is reproduced here.
29 JULY 2020
On 13 July the Stationers' Company held its first virtal Archive Event over Zoom to replace the event which had been planned for the Hall in April. There will be a write up in Stationers' News but those who would have liked to Zoom in on the night but were unable to do so can watch the webinar by clicking on the image below.
12 JUNE 2020
Liveryman Margaret Willes's new book The Domestic Herbal comes out this month. Being something of an expert on the subject, Margaret explained to me how herbs were used at Stationers' Hall in the seventeenth-century - and why the hiring of a herbwoman was considered a crucial expense for any banquet.